In a kingdom in lands far away,
years that passed before this day.
Lived a princess in captivity,
trapped in a tower by the sea.
King Callous ruled the kingdom's land
with a fearsome scowl and a ruthless hand.
It was by his doing that she was trapped--
for one day at court his anger snapped.
Banishing her to a distant tower,
he felt no remorse, but greed and power.
She was led away against her will,
only allowed to bring paper and quill.
She spent her time simply writing away,
to her guard's delight and her father's dismay.
The written stories gave her hope.
And one day, though her telescope,
she spied a man riding her way,
rubbed her eyes, and began to sway.
For years she'd been the land's outcast,
but now she'd be rescued, and break from her past.
He rode quickly across the land,
with a bunch of flowers in his hand.
"Fair maiden," he called, "years it's been.
How nice to see you once again!
Do you, by chance, remember me?
We were betrothed when we were three.
I've come now to rescue my captive bride."
And into the sunset they did ride.
Image Credit: Douglas Scortegagna on Flickr.
Full disclosure: I did NOT want to see this movie from the beginning. This was one of those situations where I was overruled and had to take one for the team, so to speak. I enjoy zombie movies, don't get me wrong, but I am a huge Jane Austen fan and the thought of this zombie mash-up made me cringe. With that said, I have a few thoughts about this film.
It is a loose retelling of the classic work by Jane Austen. The characters from different social classes are struggling their way through relationship woes...all while fighting the undead horde. There was a good amount of action and humor to keep me interested throughout the whole film. I wasn't rolling my eyes as much as I expected and though I am a litltle reluctant to admit it, I enjoyed this movie. I would recommend it to anyone looking for a zombie movie who doesn't want too much gore. Expect a B movie with a high production cost. I give it 3/5 stars.
On these cold winter days, sometimes it is nice to find beauty in the small things. Spring is just around the corner, afterall.
This fearsome foe of super heroes is TOX, the villain who uses special gases and chemicals to kill anyone who tries to stop him. The gases and chemicals he uses affect people in different ways. Like a gas that makes you weak or knocks you out. Heros beware of TOX.
This big guy looks like a bad guy, but he is not!!! Wolf spider had been mutated by a experimental spider that went wrong and bit into his heart. When the venom spread to the rest of his body he went on a rampage. But then he had some medicine he could control himself. The medicine was made from a different superhero, and a smart one, called Utility (more on that guy later). Now wolf spider is a hero.
Book Basics: The Game of Love and Death by Martha Brockenbrough
Published: April 2015, Arthur A. Levine Books
Genre: YA, romance, historical fiction
Page Count: 336 (hardcover)
Star Rating: ★★★★
Recommended For/If You Liked: The Night Circus by Erin Morgenstern or The Book Thief by Markus Zusak
This review is basically going to be me freaking out about how much I loved this book. You’ve been warned.
Romeo and Juliet, Antony and Cleopatra… the fate of any pair of star-crossed lovers you can think of throughout history has been influenced by Love and Death as they play their Game, one that inevitably ends with Death taking both players. Now, in 1927 Seattle, the players are Henry, a white orphan with a talent for music and Flora, a black orphan, talented jazz singer, and pilot. Can Henry and Flora beat the odds and let Love claim a victory, or will Death win, as per usual? Only the strength of their love will determine the winner.
I loved how Martha Brockenbrough wrote the characters of Love and Death. There was this excellent mix of human emotions that they showed and their seemingly divine interventions in the Game that made them not quite human, but not quite gods either. (This element is what makes the book similar to The Book Thief or The Night Circus, but though the idea wasn’t original, the author took the idea in an entirely new direction). Also, Love was written as male and Death as female, so their characters destroyed gender stereotypes, which made them even more awesome. The other characters were also stunningly written, but I enjoyed the development of Love and Death the most.
The book’s setting (rainy Seattle, 1927) contributed beautifully to the plot and mood as the characters struggled with issues of racism, sexism, homophobia, and poverty. These external struggles further complicated the characters’ internal struggles of love and loyalty and staying true to oneself. Martha Brockenbrough did a fantastic job writing these tough issues in a way that made the reader thoughtful and reflective. The writing in the book was very good and it flowed nicely and was very suspenseful: I read the book in one weekend and I couldn’t stop thinking about it for days on end. There were, however, some scenes that felt unnecessary and the romance wasn’t written quite as well as it could have been- I didn’t love Henry and Flora’s romance as much as I wanted to. (Honestly, I enjoyed the romance between two of the supporting characters ((no spoilers!)) more than that of Henry and Flora.)
In the end, this was a fantastic book- one that I would definitely reread and am absolutely going to buy at my next trip to the bookstore. Despite a few minor complaints, this book was heart-achingly written and I would absolutely recommend it.
Nothing is the same, now that
Winter's here. Stillness is
the landlady, silence and
cold her boarders. The freezing
air chokes and stifles, for the
warm dance of life in summer
was vanquished. River’s sweet song
and the chorus of birds are
on tour elsewhere. As if the
world hit pause, summer’s frantic
energy wait under the
billowy drifts of cotton
snow. Nothing is the same, for
Winter is lord of the land.
Be warned, this film is rated R.
There is not a more hated yet more profitable director than Michael Bay. Year after year, one hears endless bashing on his style, the numerous weaknesses of his plots, his possibly misogynistic viewpoints, and, of course, his endless explosions that litter every one of his films among other problems with his films. And all of the disdain for Baydem (Bay, Mayhem, combined) is undoubtable well founded. Yet, through all that hate, Bay’s films continue, every year, to make profit after profit. That’s why he is continually hired. Most people don’t want high concept things in the cinema, they don’t really want to think, or really to feel. Most people want to sit back, stop thinking for a while, and enjoy a cool looking movie (that’s my theory anyway). Well, if you want a cool movie, Bay is the best around, and delivers more of what we’ve come to expect in 13 Hours.
13 Hours: The Secret Soldiers of Benghazi is the most recent film by this master of the mindless Michael Bay, and the title is rather self-explanatory. It follows the real life soldiers, 6 men stationed at a secret base in Benghazi, fending off a terrorist attack provoked by a traveling senator.
Despite Bay (or actually perhaps aided by Bay but I’ll get to that in a bit), the story is interesting. It’s the perfect subject for a biographical movie to be made of, because most people have heard about the Benghazi affair if not entirely aware of what happened. The events are utterly fascinating and it really retains the audience in the story.
The acting is serviceable. There is nothing particularly special, but the actors do the best with what they have. Most characters are incredibly one dimensional, even John Krazinski’s Jack as the main character doesn’t have much depth. But, there are no noticeably bad performances, so I really can’t complain.
The action scenes are consistently and intensely annoying. Last year, the Revenant and Mad Max Fury Road both proved that it is indeed possible to make a good fight sequence and action sequence without a shaky camera, which makes the level of camera shake in this movie almost unbearable, particularly a car chase near the beginning (the whole movie of Mad Max was a car chase but it didn’t need to be unnecessarily confusing).
The writing is clunky at the best of times. The characters are more caricatures than characters, which did not give the actors any favors. It tells the story, but it could have been way more engaging, way more heartfelt, and just better all around.
The most fascinating thing about 13 Hours though is Bay himself, who seems like he is trying his hardest to make a good movie. It’s as if all of the bad word of mouth has finally got to him, and the film is his way of proving he is a good director. It is a noticeable effort, albeit on in vain. In the end, he can’t resist himself, numerous fireworks-like-explosions litter the screen, awkward humor that he is known so well for pokes through in a couple of scenes, and his love of America, specifically the American Flag, is well documented. But at least he’s trying.
13 Hours: The Secret Soldiers of Benghazi is a surprisingly passable film, featuring a Michael Bay who is trying. The worst thing I can say about it is that it is entirely forgettable, for after seeing it last week I am already having trouble remembering some things. I wouldn’t recommend paying money to see it, but I can’t blame you if you do. 6/10
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Image Credit: AJ L on Wikimedia Commons.
Chris Crutcher's Staying Fat for Sarah Bynes was dedicated to "All those who finally stand up for themselves," and is an incredible story of pain, fear, trying to do your best, and friendship.
Eric "Moby" Calhoune and Sarah Byrnes have been friends for a long time, and are bonded by their deformities: Sarah has horrible burn scars over her face, neck, arms, and hands from a childhood incident involving boiling water, and Moby is incredibly overweight. They are inseparable as friends, so when Moby joins the school's swim team and begins to shed some pounds, he frantically tries to eat more to maintain the friendship he treasures and Sarah's respect. However, as soon as Sarah gets wind of this, she demands he stop.
When Sarah is hospitalized and stops speaking entirely, Moby stays by her side to help her recover and get back on her feet. When she reveals to him the horrible secrets of her past, he sticks with her. With the aide of his swim coach, he even manages to get her back to a safe place.
This book is extremely suspenseful, and encompasses fierce religious debates, attempted suicide, buried secrets, shady characters, intense dialogue, and knife wounds. Though the language gets a bit confusing at times, this novel is a must read. Not only a touching story of friendship, it also addresses a lot of issues that teens wrestle with today, about their beliefs and trying to do what is right, when you don't know what that looks like. This book really makes you look at what you believe, what kind of person you are, and what you would do stuck in the character's shoes. Staying Fat for Sarah Byrnes should definitely be added to your reading list!
Be warned, this film is rated R.
Everything about the production of The Revenant is utterly fascinating and truly amazing. The choice to film only with natural light provided a small window of time every day, sometimes as small as an hour, to pull off certain shots. Filming in Canada as well as Argentina, in the wilderness and snow, was probably a challenge to say the least. The actors gave it their all, DiCaprio especially, who got sick twice and was forced to eat raw bison liver. He is a vegetarian. Tom Hardy also was committed, at one point choking out the director because they had an argument about the safety of certain stunts. One would think, with all of these production mishaps, the Revenant would have no chance of possessing quality. Surprisingly however, through all of the trouble filming it, The Revenant ended up a visceral and amazing film, well worth the tribulations of the team.
The Revenant stars Leonardo Dicaprio as mountain man Hugh Glass. Taking place during the 1820’s in the wilderness of America, he is part of a trading company on the run from the Arikara Indians. While scouting for his fellow huntsmen, Glass is viciously attacked by a grizzly bear and left for dead by members of his team, specifically the evil and cunning John Fitzgerald (Tom Hardy). Guided by sheer will and the need for revenge, Glass must limp, crawl, and squirm his way back to civilization, all alone.
A great set up for a film if ever there was any which only gets enhanced by the “based on a true story” aspect the film boasts. Every aspect of the film reflects the brutal and enticing premise, delivering excellence.
The acting is amazing, Leo grunting and screaming his way to another Oscar nomination (and maybe this year an Oscar win). Saying that he gave the movie his all is an understatement, his performance is more than committed if such a thing exists. Domhnall Gleason (whose face has been popping up a bunch this year with Brooklyn, Ex Machina, and Star Wars to name a few) gives one of the best performances of his career as Captain Andrew Henry, in charge of the whole trapping operation. The other supporting actors are great, helping create a real and brutal atmosphere, but the real standout is Tom Hardy as John Fitzgerald. He steals every scene (even from DiCaprio), and is one of the best villains of the year.
The cinematography for the film is excellent, capturing the beauty of the wilderness as well as the brutality of the men, a jarring juxtaposition that is handled with evident skill. The Revenant is a beautiful movie if ever there was one, lovely shots all around. Emmanuel Lubezki appears to be jousting for his third cinematography Oscar in a row with this one (after winning for last year’s Birdman and the previous year’s Gravity), and I can think of no other person more deserving of the award.
The cinematography’s beauty is only possible through the masterful and experienced hand of Alejandro González Iñárritu. He crafts the film in such away that the suspense always intensifies, the shots are always astonishing, and the story is always engaging. Choosing to film in only natural light gives the movie weight, grounding it in reality. Many long shots are used throughout the film, specifically during intense moments of conflict, also contributing to the realism of it all.
The score is minimal, instead the sounds of the wilderness provide a background to the madness, but when it does come into play, it’s beautiful.
At the end of the day, the film’s rocky production created an enticing and engaging film. It delivers on almost every level (perhaps it could have built an emotional connection to Glass’s son better, but that’s me nitpicking), and is one of the best movies in theaters right now and absolutely worth the price of the ticket. 9/10
Image Credit: Michael W. May on Flickr.