We start in a couple's house in the 1900’s. Dana, our main character, is turning 26 with her husband Kevin. Suddenly she is whisked away and put in the 1800’s. Because of this she met a slave owner's son Rufus who was only a child at the time. She was apparently there to save him from dying, to protect him. However, every time she is on the edge of death or severely hurt she comes back home. On her second time back, Kevin comes with her. They were there for two months and each visit gets longer and longer. When she was in trouble she called out, but Kevin was too late. It was only hours that she was gone in real life, but in the 1800’s Kevin had grown to live there for 5 years. Kevin is so strange, so changed when they got home. On Dana’s final visit she does something so disgraceful…
In the light of the shining moon, playing softly musical tunes
Nimble fingers type-type-typing, in a young mind her plot points churn
Characters with unforeseen paths, soon their futures will be bloodbaths
Such a sociopath sitting there writing with no grade to earn
Writing only for herself a purpose no one can discern
But inside crawls one thought: burn
The creeping urge to kill your craft, her lovely story now seems daft
But push it away she must do, for hours a slave to the quill
Mend and bend the fabric of plot, to extend a gift the gods brought
The disease of doubt and plagued thoughts shant wage onslaught on good will
Shant wage war upon a girl in love with words who types for thrill
But inside crawls one thought: kill
With force the writer continues, for practice on her craft sinews
The world is her writing prompt, descriptions of the acorn squash
Other's conversations transform, characters speak truth in her art form.
No more pain can be born; for the writer only words awash
Do not convince them that it is useless, as that is brainwash
But inside crawls one thought: quash
Image Credit: LIVEFREE on Flickr
Why do I act like I'm all high and mighty when I'm inside, I'm dying, I'm finally realizing I need help. But I just take a deep breath, count to three. A picture in my head of who they wanted me to be. They wanted me to be "normal" . Happy and kind. They never thought I would be blind. Not blind by the meaning, But blind in the heart.Blinded by darkness. Blinded by the dark. I walk around lifeless, my heart beating but dead. A walking corpse, but no one pays attention. A walking corpse, I'm lost in my head. Voices all around me but I cannot hear. Things have no meaning, at least not anymore. I'm not how I was, how I was before. I'm one of the living, but one of the dead. A part of me is missing. And I can't seem to understand what is coming my way. Every thought is a battle, every breath is a war, and I don't think I'm winning anymore. I'm hiding all these scars with an "I'm fine." You should stop asking if I’m ok. I’m tired of lying. I just wish I could go back to a time when I could smile and it didn’t take everything in me to do it. Your to late to save me. If you could only see, Then you might know what it's like to be me. If you could only feel,Then you might see what I have to do to deal.If you ever learned, I knows you would be concerned. I will never show you,So you will never know what i have to go through. I will never let you in, But i do apologize for my sins. I will never speak a word about it,Because then everyone will know I'm a misfit.
Image Credit: Vanity Mirror on Flickr.
Have you read the book? Join us for a movie!
Risk everything… for love. You and a guest are invited to the advance screening of EVERYTHING EVERYTHING, on 5/11 (tomorrow!) at the Denver Pavillions theater located at the 16th Street Mall .
Download your complimentary passes. (While supplies last. Passes do not guarantee admission as theater is overbooked. ARRIVE EARLY to line up for a chance to get in.) #EverythingEverything in theaters May 19.
I want to take this gun and put the barrel to my chest; where my heart used to be. I want to pull the trigger and hear the sound echo through my room.
But you have already done that. You who has put the cold gun against my heart. You who has filled it with words and hate. You who tells me to choose. You have already pulled the trigger for me.
You who I call a friend. You who I trusted. You who I've opened up to. You who I thought could never hurt me. You, who's hands are staind with my blood.
You who feels nothing. You who watches me fall to the ground. You who doesn't even try to help me. You who steps over my corpse. You who said you would never let go. You who held my hand as you slowly began to pull the tripper.
Now I feel numb. All I do is cry. And if I don't cry I smile and pretend I'm okay. People ask if I'm okay because they can see the brokenness in my eyes. My heart does not beat in this chest of mine. Because of you.
You, who the second I upset pulled the trigger. I who was there for you. I who would chase after you in the middle of class because you were upset and would leave. I would chase to make sure you were okay. I who held your hand as you cried because of him. I who would never let go of your hand. I who is dead now, because you pulled the trigger.
Image credit: Kevin Gong on Flickr.
Have you made any art lately? Share it with us!
I’ve always been a typer. Makes it easier to write essays on faster-than light travel, code simulations, and find Ryan Chandler. For months we had been looking for the best find, the cream of the crop, the top of the top, and we found him. Nowadays, with the introduction of the Z GENE, a special, choice chemical, implanted within the fetus in the first trimester of pregnancy, the new Einsteins, Picasso's, Musks, and Hawkings of the world are found. The ZG enhances the premature mind to reach adult level thinking at the age of 10. So, “The System”, a group of anonymous people who evaluate ZG user's, gives us the divisions of the world. Geeks and Nerds. Everything about The System is very secluded and secretive. The camps are secret. The selection is secret. The mother and father are not allowed to tell their child about his or her secret until the child figures it out. The memory of “too specific details” and “memorable events” are wiped from the user's memory during their time at camp, until the world eventually knows who they are, as their name becomes a household one in their early 20s. But, The System allows “scouting”, a use where fake users and real users are given, every year to us. We must tell the good from the bad, and every 5 years 1 “super genius” is hidden among the herd, that could possibly become either faction, and lead it, becoming a “head nerd” or “head geek”. Well, guess who’s head geek? Moi. But, the system is only for ages 11-19. I’m 15. So, we needed to find someone fast. Based on patterns and evaluation, this was our year. The stronger and more recent a head member, the more powerful the faction. So, that’s why it’s imperative to find the next one. So, there he was, Ryan Chandler. The highest IQed 14 year-old EVER. Whether he knows it or not (The System tweaks things a little too. It’s what they do). This gave us a chance. They outnumber us 10 to 1. Literally. But Ryan, Ryan was worth the past 5 head geeks and nerds, myself included (We don’t know the opposite team members names. Yet another wonderful thing The System does for us). We found him, and the nerds probably did as well, so the trouble was getting him to our camp. Our quantum kids engineered a situation in which some of the atoms at camp were vibrating at exactly the same frequency of Ryan’s body, and in exactly the same position, so the two could switch places instantaneously. But it was back and forth, so that he would be in one place (East High, his home, at the library, wherever), and here, Camp G. So it looked like he was nowhere. We tried to stop just the oxygen atoms, but failed. Multiple times. We kept trying though. If we stopped it right between transition, he would be in the middle of nowhere. Not exactly a plan. We kept working on it, until, POOF! He was right here, and we hadn’t stopped the oxygen atoms. The quantum kids said that maybe it was just luck, the fact that the atoms were “drawn” toward each other. Weird things happen here, but this was a good weird. This weird wanted to make me climb one of the mountains here. We had him. We had Ryan Chandler. Yet again, we weren't safe. Only the oldest of us knew about Operation A.R.M.A.D.A., because nearly 4 years ago, my first day, a piece of it crashed. We ran fingerprints through servers, and it matched previous possible ZGers. With some logic and thought, as well as the limited hardware knowledge we had, we were able to come to the conclusion that the Nerds were spying on us, but for what? We still couldn’t figure that out. That is not was what was the idea. If we could get a major player out on the field, and have him outpace any nerd in the range of 190-210 within 5 years.
Read that again.
And that is when everything started happening.
Dumbledore's office stands tall and majestic, every detail meticulously preserved even a year after the battle of Hogwarts. The shelves of hundreds of books, which have not been touched since, perhaps admired by Headmistress McGonagall, are still just as dusty as they were twenty years previously, and perhaps fifty years previous of that. The golden ceiling with intricate designs curves around the office in a bowl shape, perfect for the Astronomy tower, which stands just above Dumbledore's desk and has a perfect view of the twinkling stars above the Great Lake. Dumbledore's desk is arguably the most beautiful thing in the room; the golden metal is still somehow shining, next to the grand throne he sat in. His wand, the Elder Wand of the Deathly Hallows, still sits on his desk, and a perch next to it holds a brilliant, red and gold bird, more commonly known as a phoenix. Hundreds of previous headmaster paintings line the room, Dumbledore himself next to the desk. There was one problem. The room was completely dark.
Before long, a creaking sound emitted from the door, which signalled that the office was being opened. Broken into, to be more precise. A shadow fell across the already dark floor as footsteps enter the room at a steady pace. There is an intake of air and a pause. Then-
"Lumos Maxima," a low, gruff voice says, and a brilliant white light flooded across the room.
The wizard in question raises his wand to sweep the light around the space, illuminating the young wizard's facial features of high cheekbones with a square-like jawline, looking annoyingly handsome with his black, slicked back hair. It soon becomes clear from the Slytherin robes he wears that he is a current student at Hogwarts.
He strides forward with purpose, his wand light moving with him as he approaches Dumbledore's desk, then pauses, his eyes sweeping over the cluttered spot. He then reaches out and touches the Elder Wand, a gleam of almost a power hungry look in his eyes. He then looks up to the brilliant red and gold phoenix, his expression softening a little as he quickly pulls back his hand.
An odd, almost mystical creaking sound causes the young wizard to turn around to face a golden cabinet filled with tiny vials, all of which have a golden swirl in them, all of them identical. His eyes come to rest on a golden time turner that lies on top of the cabinet. He moves towards it slowly, his wand aloof, until a sudden voice makes him jump and he whirls around to face the wall with Dumbledore's portrait. He could have sworn that the painting was asleep, because he had planned it so.
"I wouldn't touch that, if I were you," Dumbledore says, smiling kindly down at the boy.
"Why should I listen to you?" the boy asks boldly. "You're nothing more than a painting."
"True," Dumbledore agrees with a wise nod. "I am nothing more than paint...and memory. Two things death cannot touch. I've been here long before you, and I'll be here long after you. I am much older, much wiser, and much cleverer. So I'd advise you...don't touch the cabinet."
The boy drops his wand in defeat and begins to pace, traces of tears in his eyes as he does. Dumbledore instantly picks up on this, and tilts his head as he watches him.
"You've lost someone, am I correct?" Dumbledore asks. "What was your name?"
"My father," the boy replies without hesitation. "Graves. Anthony Graves. Seventh year."
"Graves," Dumbledore says thoughtfully. "Yes, I knew your father. Percival Graves. He was a very fine Auror. Of course, he lived in North America. Is there any reason he sent you here to Hogwarts instead of Ilvermorney?"
"He wanted me to get experience abroad," Graves replies, his American accent more prominent through his British undertone that he had developed during his years at Hogwarts. "Also, Slytherin is much better than Pukwudgie, in my opinion."
Dumbledore chuckles at that, his soft, warm laugh causing Graves to give a slight laugh of his own.
"I agree with you there," Dumbledore says. "Now, correct me if I'm wrong, but your father was murdered, wasn't he?"
The boy instantly goes back to pacing, grief flashing through his eyes as he gives a slight nod, not looking at the painting as he examined the wood floor.
"And you will go to any length to avenge his death, and, if possible, bring him back?" Dumbledore asks.
"How did you know?" Graves asks, looking up at the painting in curiosity, his eyebrows narrowing in confusion.
"Because I was once the same way," Dumbledore replies. "But not with my father. With my sister, Ariana. I still don't know to this day if I was the one who killed her, or if it was the dark wizard, Grindelwald.
At the mention of the name, the boy's eyes grow wide, and, almost as if it's a trick of the light, his pupils grow darker than they are already, and his mouth forms a thin line. Something almost akin to fear can be seen in Dumbledore's eyes if one looks closely enough.
"I see the name is familiar to you," Dumbledore says, and pauses for a minute, his eyes flicking over to the wand on his desk before quickly looking back at the boy. "You seek the Deathly Hallows."
"Yes," Graves replies, glaring at the painting with sudden hatred. "Now, tell me, old man...if I take that wand, it'll be the most powerful wand in the world, yes? And it will do anything I want it to?"
"Graves, please...the people who have gone on the same path as you have only had misfortunes and led a life of disaster," Dumbledore tries to warn him. "Please don't do this."
"Too late, old man," Graves smirks, and in a sudden movement, he whips around to Dumbledore's desk, grabbing the Elder wand and pointing it at the painting threateningly. "I made up my mind a long time ago. And I would listen to yo, but you see...not all of us can live forever. Least of all, you."
There is no denying it now. Dumbledore is afraid. Anthony Graves, the decedent of the great auror Percival Graves, whom even Newt Scamander had been afraid of, has the Elder wand and is staring him down. There are perhaps a million things he can do with this wand, and all of them would not end well for Dumbledore. Graves faces the cabinet of memories, glaring at the painting.
"I want to go back and save my father," Graves says. "Tell med what I need to do. You said he was around when Newt Scamander was. Tell me what I need to do, or I'll destroy your pathetic little painting."
"What you are looking at are memories," Dumbledore says as Graves moves towards the golden cabinet. "All of them connect to one individual, in this case, Voldemort. Your father was part of the reason why the first dark wizard, Grindelwald, rose to power using the Hallows. This inspired Voldemort to do the same."
"It's easy, then," Graves says. "Destroy Newt Scamander for my father and help bring him back to complete his quest for the Hallows."
"It's a mysterious thing, time," Dumbledore cautions. "Powerful, and when meddled with, dangerous. You must use caution."
"Thank you, old man," Graves smirks. "But your services are no longer required."
Graves pulls the wand back and jabs it forwards, destroying the painting that held Dumbledore. The glass shards ricochet everywhere, flying around the office as the gold painting frame falls to the floor with a bang. He raises his wand again and swipes it in a circle above his head, causing the hundreds of other paintings of previous headmasters to fall from the ceiling, clanging down in a cacophony of bangs and shouts, thousands of shards of glass falling on the floor around him. Graves jabs his wand forward again, destroying the golden cabinet of memories. More glass falls to the floor, mixed with the still falling silver and multicoloured pieces and frames from the paintings that are still falling, hundreds of broken potion vials now added to the mix. They break on impact when they hit the ground, spilling the silver contents around Graves on the floor.
Graves summons the memory he's looking for, the one with Newt Scamander and his father, to get the exact date to travel back to. He quickly snatches the remaining memory from the destroyed cabinet, neatly labelled in cursive writing, 'New York, 1920.' He then quickly picks up the time turner as footsteps and shouts of alarm sound. He turns it multiple times before it seems to spin on its own, the office disappearing around him in a whirl of colors.
He enters a disoriented world, thousands of voices echoing around him as he clutches the Elder Wand and the time turner tightly. One voice stands out among the others.
"You're an interesting man, Mr. Scamander," it says.
And then there was chaos.
FANTASTIC BEASTS AND WHERE TO FIND THEM